Eugenia Popesco

Eugenia Popesco is a contemporary visual artist who works within a multi-disciplinary practice, spanning; print, painting, drawing & installation. Her practice is concerned with social histories and landscape. Often finding a voice for these subjects through the transient status and alchemy of the printed image, referencing the hyper mediation of image consumption in relation to documentary and archival research. Responsive to the ever-changing mediation of imagery in the post digital age, Eugenia’s work often takes a multi-disciplinary approach centred around image making. Amongst her use of digital imagery, the hand crafted is essential, imbuing the analogue with a greater personality, or a Folk aesthetic. Eugenia often combines digital with analogue processes, creating a hybridity of making.

Eugenia completed her MA in Fine Art (Print), from the Royal College of Art 2015-2017 (awarded full bursary for study) and BA Illustration at Camberwell College of Art 2012-2015 (first class honours). Eugenia has exhibited nationally as well as internationally, recent exhibitions include: ‘REVERB’ Visual Arts Scotland 2022; ‘20 Seconds Or More’ Young Space Views 2021; ‘Milieu & Moment’ Zhejiang University, China 2021; solo display of works, Import Building, London 2019-2020; shortlisted for Gilchrist-Fisher Award 2018, Rebecca Hossack Gallery; ‘The Odious Smell Of Truth’, Hockney Gallery 2017; ‘Output’, Southwark Park Galleries 2017.

Eugenia has been commissioned by TATE, poster designs sold in Tate Modern shops 2015–2019.

Eugenia teaches Printmaking across courses and levels at AUB.